The Hollywood Reporter: Beverly Hills 90210- The Teen Drama That Brought Back Sideburns Turns 27

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Source: The Hollywood Reporter

Source: This piece was originally posted at The Daily Review

At risk of giving out my age, Beverly Hills 90210 takes me back 27 years to my first year in high school. I started high school during the late summer of 1990 in Bethesda, Maryland. Beverly Hills comes out almost two months later in late October that year. The kids on 90201 at least the main stars characters were a year ahead of me in high school. I was the class of 1994 in high school and they were the class of 93. So I got to see their last three years of high school and their first year of college my whole time in high school. And thats exactly what I did, because Beverly Hills and the original Law & Order, were my favorite two shows in the 1990s, (not including Monday Night Football) at least the early and mid 1990s. Actually, add LA Law to that list, so I saw a lot of Beverly Hills and know the show very well.

Beverly Hills wasn’t the first show about my Generation X. The Facts of Life from the 1980s was that show. Beverly Hills wasn’t even the second show about my generation. Saved by The Bell from the late 1980s and early 90s was that. And both of those shows deserve their own articles and pieces written about them as well, because they’re both very successful and important to this generation. But Beverly Hills was an original at least in the sense that it was the first soap opera about Generation X. People who grew up and came of age during the 1980s and 1990s. Who were born in the 1960s and 1970s. Whether you want to use the official Census Bureau definition of Gen-X as 1965-79, or use a more believable figure like 1962 or even 1961, till 1979, we are the generation was that was born in the 1960s and 1970s and came of age during the 1980s and 1990s. So if you went to high school and graduated high school in the 1990s, you’re probably a Gen-Xer, unless you graduated in the late 90s.

So that is what Beverly Hills was about how Gen-X kids grew up and what we went through and experienced as a generation. For all the good and bad and Beverly Hills had a lot of both. From parents of Gen-X kids falling in love again and getting remarried, to dealing with teen pregnancy and teen suicide. It has two twins literally from Minneapolis, (ha, ha, the Minnesota Twins, get it) yes it was corny, but the Walsh Family moves from Minneapolis to the Los Angeles area settling in Beverly Hills into a new beautiful him. Jim Walsh (the husband and father) is a successful accountant and lands a new and good job in Beverly Hills and moves his family 2000 miles or so from Minneapolis to Los Angeles.

The Walsh’s have two kids who are yes twins Brandon and Brenda (played by Jason Priestly and Shannen Doherty) and they are uplifted from the down to earth 1950s lifestyle of the Upper Midwest in Minnesota, where they get 6 months or more of winter every year, out to Los Angeles where they’ve never even heard of winter, let alone seen it and get 6 months of summer instead. So the kids especially get a real cultural shock during the first season of this show.

It gets much better and more interesting, not that the Walsh Family aren’t that interesting, because the Brenda Walsh character might be the most fascinating character on the show. Either her of Dylan McKay (played by Luke Perry) but the people they meet and befriend in Beverly Hills and Beverly Hills High School, are all sons and daughters of LA big shots. Entertainer moguls and people who at least do business and have clients in the Hollywood industry. And they meet most if not all the stereotypes Los Angeles kids.

Kelly Taylor (played by (Jennie Garth) is the daughter of an aging actress who is an alcoholic and addicted to illegal narcotics as well. Kelly’s parents of course are divorced and she rarely sees her father.

Steve Sanders (played by Ian Ziering) is the son of an actress and a Hollywood businessman. Who you think with that background would do very well at least starting out as far as never having to worry about money and where he might live. But the guy is a bit of a rebel and a constant screw up who is essentially always in trouble and looking to get into trouble. Thinking he will get away with it and always has one scheme or another, but always gets caught. We probably all grew up with guys like that.

Donna Martin (played by Tori Spelling) on the surface at least comes off as a typical Southern California blonde bimbo. But she’s very cute both personally and physically and very kindhearted always looking to help others. Who is a good girl always looking to please her parents, especially her Phyllis Schlafly lookalike over-paternalistic mother who lives in and is very happy in Los Angeles, but like Phyllis Schalfly believes Hollywood is destroying her 1950s traditional America. And strongly looks down upon individualism.

Dylan McKay (played by Luke Perry) is my favorite character on the show. Luke Perry plays the son of the Hollywood investor as well as it can be played. He’s essentially a good guy (at least when he’s sober) but is the constant rebel who grows up until his parents literally let him ago and buy him his own house, in a hotel. Because his parents get divorced and his mother skips out on them and moves to Hawaii. Leaving her son with his father who doesn’t seem to have the time to raise his son. And has him put up in a hotel and gives his son Dylan money to take care of himself. Dylan is basically a young guy with no parental guidance other than maybe Jim Walsh (the twins father) who manages his trust fund for him. Jim Walsh really is the closest thing that Dylan has to a father, or even parent on the show.

I guess I should say something about David Silver ( played by Brian Austin Green) who I guess was okay on this show, but what has he done lately? I believe Beverly Hills is really Brian Green’s only real shot at making it big in Hollywood and when that dried up so did his career. David Silver is one of those guys who is actually hipper than he seems at first, who knows how to be cool, but struggles in executing it. He is one of those guys who wants to be in with what we at least called back then the in crowd. I guess its called clicke today, but doesn’t really fit in at least during the first season.

I would mention the twins but they get so much attention anyway and the fact that they moved from Minneapolis to Los Angeles in the middle of high school to start their sophomore years, plus with everything that has been written about them before, gives you a pretty good idea about them. They both probably deserve their own articles about them anyway.

Beverly Hills is a good example of what life was like as teenagers (at least LA teenagers) in the early 1990s and what life was like when cell phones weren’t mainstream yet and the internet was a baby. The internet comes out in the summer of 91 during the 2nd season of Beverly Hills. Beverly Hills is also an example of what life was like for teens and young adults before coffee houses were everywhere and before social media was online. Where people actually got together physically to hang out and socialize. Because our lives weren’t dominated by our iPhones and laptops. And is a great show especially for people who are interested in what life was like in the 1990s especially the early 90s and what growing was like for Generation X.

The Hollywood Reporter: Beverly Hills 90210- The Teen Drama That Brought Back Sideburns Turns 27 This Month

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Bob Daugherty: Mysteries & Scandals- The Blacklist & The Hollywood 10

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Source: Bob Daugherty

Source: This piece was originally posted at The Daily Review

Looking back at it The Hollywood Blacklist and The Hollywood 10 and the so-called House Un-American Activities Committee which was as Un-American as anything they were investigating and perhaps the most Un-American committee we’ve ever seen in Congress, looking back at The Hollywood Blacklist and The Hollywood 10 and the investigations that they were under simply for their ideological beliefs.

Because they were not just Socialists and some of them were simply Socialists and not Communists, but there were also Communists in this community. But they weren’t being investigated for being American traitors working for Communist Russia. They were investigated for being Communists, for having communist beliefs. This was the most extreme form of political correctness that we’ve seen in this country, at least in the 20th Century, because this wasn’t just people getting shouted down because they have what might be extreme political views, or just having political views that offend some political activist community that actually might not be extreme.

Which is today’s version of political correctness that the Far-Left (talk about Communists and Socialists) uses to try to shut up and censor right-wingers who they disagree with. But this is government-sponsored state-run political correctness. That says your (meaning Communists and Socialists) First Amendment rights aren’t as strong as people on the Right and Far-Right, simply because you’re Communists and Socialists.

If they were the KKK, Neo-Nazis, fundamentalist theocratic Christians who believe women’s place is in the home and it should even be illegal for them to work, or gays should be in jail and prison simply for being homosexual, well the argument from the fascist Far-Right would be there that they’re just expressing their First Amendment rights to free speech.

But if you’re a Socialist or Communist who believes in state-run health care and health insurance, having a state-run banking and even energy, but aren’t active politically in the sense that you’re running for office, or even campaigning for any Far-Left political candidates or politicians, or have any affiliations with Communists states, well you’re Un-American according to the fascist Far-Right. Who had this Leave it to Beaver 1940s and 1950s view of what it means to be a real American. Sort of the like 1940s version of the modern Tea Party today.

To put it plainly, political correctness really sucks. The only thing that was Un-American during these supposed investigations of Socialists and Communists in Hollywood, was the House Un-American Activities Committee itself. We have guaranteed free speech rights in America which means you can be on the Far-Left and believe in democratic socialism or even communism and believe that right-wing and perhaps even Center-Left political parties shouldn’t even have the right to exist.

Or you can be on the Far-Right and be a Far-Right Nationalist-Tribalist who believes your culture and faction in the country including ethnicity and race are the true Americans and the only people who will standup for America. And see everyone else as threats to your state and therefor aren’t deserving of the same constitutional rights as your culture and political faction. Or you can be religious theocrat who puts your religious beliefs over everything else including the U.S. Constitution and are so fundamentalist and have so much faith in your religious beliefs that you believe everything else should not only live under your cultural values, but be forced to live under them in some religious theocracy.

Just as long as the Far-Left and Far-Right aren’t violently acting on their beliefs even in an attempt to defeat or eliminate the opposition in order to accomplish their political beliefs. We have a right to free speech and belief, but not a constitutional right to violence short of self-defense. Americans have a constitutional right under the First Amendment to be stupid and even be assholes. Just as long as we’re not violent assholes and physically trying to hurt people simply because we disagree with them or even hate them. Our guaranteed right to free speech and beliefs the ability for every American to think for themselves is as American as anything we’ve ever had in this country and still have.

What’s Un-American are not political beliefs whatever they are, but trying to censor those views simply because you disapprove of them or are even offended by them. If Socialists and Communists want to hold political rallies attacking America with their rhetoric and call America the real evil empire in the world and argue that we’re some materialistic racist corporate state, because we allow wealth and don’t expect government to manage our daily lives for us, they have the guaranteed right to make those arguments and even publish articles, book, produce documentaries. Even if their nothing but great fiction, at best.

If the KKK, Neo-Nazis, want to argue that America is going to hell because of our non-European immigration in the country and that non-European-Americans are Un-American, they have can hold peaceful political rallies, publish articles and books, produce documentaries, making those arguments. And be treated by the public with the public’s free speech rights as the complete assholes that they are.

There’s nothing dangerous about free speech short of people telling others that certain people should be physically harmed, or have their property attacked, be falsely libeled and accused. What’s dangerous is trying to eliminate speech and thought in America simply because you disapprove of what the speaker is thinking and saying. Because the same thing can happen to you by the opposition when they don’t like your politics. The American way to confront speech and politics that you disagree with is to peacefully speak out and organize against it. Make the case as far as why the opposition is wrong. Publish articles, books, produce videos, documentaries, with the best available information that you can get about why the opposition is wrong. Which is as American our great diversity and melting pot that represents the entire world that we all call America.

Bob Daugherty: Mysteries & Scandals- The Blacklist & Hollywood 10

Movie Documentary: A&E Biography- Yvonne De Carlo

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Source: Movie Documentary- Clark Gable & Yvonne De Carlo

Source: This piece was originally posted at The Daily Review

Yvonne De Carlo at least to me represents the total package when it comes to actresses and entertainers. After you get through her mesmerizing first impression of this beautiful baby-faced adorable Italian brunette, with a great shape, you also see a very intelligent woman with a great sense of humor and great dramatic ability as well. Her most famous role is probably as the mother on Adams Family, but she did so much before that.

Similar to Susan Hayward she’s a women who didn’t come from much with her father not in the picture and with a mother who didn’t seem have much interest in raising her. Susan Hayward’s issues with her parents were that they were poor and had to raise their kids in poverty. With Yvonne’s family it was being born to father who wasn’t around and a mother who wasn’t ready to raise her. And yet by 1943 Yvonne gets her first break as an actress in the movie The Deerslayer starting a great career as a movie as well as TV actress and doing comedy, drama and dramatic comedy.

I believe I would put Yvonne De Carlo on the dramatic/comedy side when it comes to great actors and actresses. Similar to Elizabeth Taylor, Joan Collins, Yvonne De Carlo, and many others. An actress who was very good at both comedy and drama, but even better when those genres were combined, When you would have a great drama with a lot of funny people in it with a lot of lets say sarcasm and flipped lines. And perhaps having funny actors and entertainers who would add their own material and improvise with their own expressions making their characters even more entertaining and funny.

Cary Grant perhaps is the master of dramatic comedy which is why he worked so well with Alfred Hitchcock because he loved dramatic comedy and had a real knack for it. Yvonne was an actress who would have been a great soap actress both on TV and in the movies because she was so good at delivering clever lines, putting people down, but doing it in a funny, honest, entertaining way, that didn’t make her seem mean.

I haven’t seen all of Yvonne De Carlo’s movies and have only gotten more familiar with her career in the last two years or so, but if you are interested in see some good Yvonne movies, I would suggest Death of a Scoundrel where she plays the executive investment of a business investor played George Sanders who really was a scoundrel, but speaking of dramatic comedy you almost have to like at least parts of the Clementi Sabourin character (played by George Sanders) with Yvonne’s character there to keep the man honest and in check. They work really well in the movie and it almost seems like the Yvonne character hates Clementi in the movie and yet is never able to leave him until the end because there’s something about him that she loves and not just the money he pays her.

Yvonne to me represents a actress that again was simply the total package as an actress. Great to look, great to listen to, but she was also a great actress and incredibly entertaining. Someone with style and substance who didn’t have low self-esteem issues because she knew who she was and how good she was. Who didn’t get picked up off the street by some agent or director because she had a great face or figure and then they make a project out of her and try to make her into at an acceptable actress. But someone who came from nothing and did the work to make herself a great actress. Who also happened to be beautiful, adorable, with a beautiful body as well. And represents Old Hollywood when substance was rated higher in style and where you had to be able to do the work and do it well to succeed in Hollywood and where physical looks weren’t simply good enough.

Movie Documentary: A&E Biography- Yvonne De Carlo

Politics and Prose: Glenn Frankel- High Noon: The Hollywood Blacklist & The Making of a Classic

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Source: Politics and Prose 

Source: This piece was originally posted at The Daily Review

I don’t have much to offer about the movie High Noon, as least the original one from 1952. I did however see a movie with the same title from the Lifetime Network (of all places) in I believe 2009. But that is not what this piece is about. (Thank God!) Not a good movie and not trying to cure anyone’s insomnia by talking about the second High Noon movie. Not a good movie and not even very believable.

What I’m knowledgeable about and have read about and seen some documentaries about, is The Hollywood Blacklist from the 1940s and 1950s. Where workers out in the Hollywood industry who actually were Socialists and in some cases even Communists and even supported Communist Russia back then (known as the Soviet Union) but weren’t criminals and didn’t even have official relationships with the Soviet Government in Russia. They were simply on trial for their far-left political beliefs by crooked politicians in Congress who were simply trying to take advantage of the Red Scare and the start of the Cold War between America and Europe, against Russia and their allies in the East.

Hollywood professionals like writer Dalton Trumbo which there was a good movie made about him that came out in 2015 simply called Trumbo, were hauled in front of Congress at the so-called House Un-American Activities Committee simply because of their political beliefs. Not for any laws that they might have broken. But because they were Socialists and Communists who didn’t like the American liberal democratic form of government and instead wanted a socialist or communist state to replace our liberal democratic federal form of government.

The House Un-American Activities Committee, was exactly that which was Un-American. The idea that people could be hauled in front of Congress at first in the House and then later in the early 1950s to the Senate Investigation Committee chaired by Senator Joe McCarthy simply because of their politics and political beliefs and not for anything that they even may have done, is simply Un-American. So what if Dalton Trumbo was not just on the Far-Left in America, but was also a Communist! He was never going to have any political power in America, nor did he ever want any. And the Communist Party was never going to have any political power in America simply because they’re Communists and are illiberal. And oppose most of the liberal democratic values that most Americans love, like free speech and free elections, property rights, right to privacy, just to name a few.

Whether you’re a Communist on the furthest Left in American political or a Christian-Theocrat or Nationalistic-Tribalist on the furthest right in American politics, you have a right to believe what you believe. And express your beliefs in public and try to make the case for what you believe in public. Which is as American as our melting post and individualism. Which is what the so-called Red Scare of the 1940s and 1950s which is what this nationalistic anti-communist movement opposed and tried to eliminate from American life.

Politics and Prose: Glenn Frankel- High Noon: The Hollywood Blacklist & The Making of a Classic

 

The Atlantic: Opinion- Olga Khazan: The Social Benefits of Swearing

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Source: The Atlantic

Source: This piece was originally posted at The Daily Review

I’m going to give you an answer to why Americans swear so much at least now in public but also in private as well that is a lot less scientific than what Olga Khazan gives you. But before that I’m just to go on the record and say I’m not a religious fundamentalist or very religious at all and don’t even practice any religion and I’m not a prude. Of course I swear like most Americans do I just have a real purpose to it and don’t feel the need to sound cool and lot of times today swearing is generally used simply to sound cool and hip. People will swear really for no other reasons other than that.

I swear to express anger and amazement and no other reasons. “Holy shit! That man is fat!” Would be an example of someone showing amazement and being caught off guard. “Why don’t you watch where the fuck you’re going, are you trying to fuckin kill me?” Would be an example of someone expressing anger because they think someone is moving too fast generally in a vehicle and moving recklessly. But most Americans swear today and cable TV especially HBO and company is a perfect example of that because that is simply their normal vehicle of communication. That is how they talk to their friends, that is how their friends talk and it seems perfectly normal to them. That is how cool people talk today.

If you want to sound cool today you swear a lot and even do it for no apparent reason. “Where the fuck is he? He was supposed to be here 2 minutes ago. Fuckin lazy ass!” Now was that really called for or could that person just so a little patience instead and say, “relax, he’ll be here.” Or not even say that and just enjoy that time waiting a few minutes. Maybe get a latte and stare at their iPhone and pretend to look hip and important for a few minutes.

The more you swear and sound cool doing it, the cooler you’ll be in American pop culture. And if you’re in entertainment the more you swear the more popular you’ll be and the more roles you’ll have in movies or on HBO or the other networks where hard-core swearing is not just allowed but encouraged. The bigger the asshole you are the more attention you’ll bring to yourself as the reality genre as proven the last fifteen years or so. You don’t have to do a scientific study to prove this but simply be aware of your own surroundings and what is going on in culture today.

The fact that we now see more cussing in American politics today whether its lets say moderate cussing with the use of the word damn and hell, screw, and other words like that not just on cable news, but network news where you would think the people there would be more moderate and cognitive with their approach to how they express themselves, is just an example of how pop culture hasn’t just infiltrated our political system, but that our political system is a reflection of our pop culture in America.

And saying what the heck, or darn it all, gee wiz, just sounds too 1950s Leave it to Beaver for most Americans today. Especially when you can say I don’t give a damn or what the hell, that is a helluva a lot, and not pay any price for it. You don’t need to poll people or do any scientific research on this and ask people why they swear regardless of their profession. You just have to be aware of what’s going on in front of you and see it for yourself.

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Source: The Atlantic

The Atlantic: Opinion- Olga Khazan: Does Swearing Make You Likable?

Inside Edition: Bonnie Strauss- 1992 Feature on Jayne Mansfield

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Source: Inside Edition

Source: This piece was originally posted at The Daily Review

The man anchoring this show might look familiar to all you political and news junkies out there. Especially cable news junkies, because before Bill O’Reilly got his big gig The O’Reilly Factor at Fox News Channel in the mid 1990s, he was anchor of the syndicated tabloid/news magazine show Inside Edition. I remember watching him on that show in the mid 1990s after work. But enough about The O’Reilly Factor, or as I prefer to call him The O’Reilly Finger and give him my middle finger to show how I feel about him.

Jayne Mansfield died in a horrible car crash in 1967 and she wasn’t drunk or even driving the car. The two men in front that were supposed to protect her were simply too tired to work and drive that night and should have never been on that trip. Especially with other people with them and in back of the car. So that is why Inside Edition did this story about Jayne in 1992. Because even though she did make a brief impact in Hollywood in the mid 1950s, it was sort of like that talented QB who has a couple big years early in his career and perhaps even wins the Super Bowl, but gets hurt or thinks too much of himself and stops doing the work and finds himself even playing for bad teams, or completely out of the NFL. The fall ends up being as dramatic as the rise to the top floor in Hollywood. That was Jayne Mansfield’s short Hollywood adventure.

I disagree with James Bacon that Jayne wasn’t a good actress though and was only famous because of her, lets say measurements. She was a good actress, but more importantly a very good entertainer. Who was also a very good singer and comedian and had she realized that early on and just took with that instead of trying to move to doing drama and serious roles, we might be talking about one of the best comedic actresses and comedians at least of her generation. Which is how Carol Burnett and Mary Tyler Moore are remembered today. Not as great dramatic actresses, but great comedians as they should be. But Jayne got bored with comedy and tried to move away from what made her great in Hollywood.

Inside Edition: Bonnie Strauss- 1992 Feature on Jayne Mansfield

Turner Classic Movies: TCM Remembers Robert Osborne- 1932-2017

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Source: TCM- Robert Osborne 

Source: This piece was originally posted at The Daily Review

How I do I talk about Robert Osborne, how do I talk about a man I don’t personally know who wasn’t an actor or a famous celebrity really for anyone who wasn’t an entertainer or an entertainment historian and writer who works with people like Osborne who was of course not just a film and Hollywood historian, but one of the best and most knowledgeable of his generation if not ever. Well, I guess I don’t have to say I can talk about as fan of TCM and Classic Hollywood in general, but that wouldn’t be giving me much credit. I’ll talk about Robert Osborne as someone who loves Classic Hollywood as a blogger who blogs about Classic Hollywood from time to time. And a big reason is because of knowledgeable people and historians like Robert Osborne.

Robert Osborne is not the reason why I love and many other Americans perhaps especially on Google+ that has so many Classic Hollywood communities and communities about old movies, famous entertainers and TV. But he’s one of the biggest reasons. Watching an old movie on TCM is not like watching an old movie on TNT or USA, to use as examples. Its so much better, because instead of one movie ending with the credits and that movie directly being followed by the next movie.

What you get is a backstory from someone like Robert Osborne or Ben Mankiewicz who gives you inside details about the movie you just saw. Where it was shot and why it was shot there. Background about the cast, writers and directors involved and what it took to get those people to work on that project. The chemistry that the cast had with each other, as well as the people they worked for on the project. As well as little information about the people on the project as far as how it affected their career before and after. And then you get a little taste about a documentary about about actors, actresses, and other entertainers short documentary films about Old Hollywood after the last movie had just been completed and before the next movie shows up.

Robert Osborne did not get me into Classic Hollywood, at least by himself. But like I said earlier because of him and TCM watching and old movie on TCM is not like watching an old movie everywhere else. Its more like reading a good book about a movie or good documentary about a movie and then thinking I have to see that movie because its so interesting. Except you get that information for free. Robert Osborne gave his viewers a good book or documentary worth of information about the movie that you’re about to watch in about three minutes. Because he was so knowledgeable about what you were about to see and doing it an interesting way.

Talking about the story without giving up the plot. Talking about the cast and again how they worked with each other and again how that film affected their careers and what they were doing before. I especially loved how Osborne talked about Hitchcock films and and saying how good Cary Grant was with Alfred Hitchcock because they had similar taste in movies, humor, and women. That is what you got with Robert Osborne. The story of the film before you saw it and yet still wanting and seeing that film, because of how interesting he made it sound. And he is one of the best if not the best and will be surely missed.

Turner Classic Movies: TCM Remembers Robert Osborne- 1932-2017

Alan Eichler: Good Morning America- David Hartman Interviewing Lana Turner: 1983 TV Interview

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Source: Lana Turner

Source: This piece was originally posted at The Daily Review

This might sound harsh but I believe Lana Turner’s life represents a Hollywood character and actress who struggled to get out of character when she was off stage. Actresses and actors when they make it in Hollywood and even become popular to the point where everyone interested in movies and TV knows who they are pick up an image. And believe they have to live up to that image to keep their popularity and stay hot in the business. Even if that image is not positive.

Like with Marilyn Monroe and Jayne Mansfield being known as blond bimbos and living up to that on and off camera. Even though in real life where actually pretty intelligent. Or James Dean being known as a teen rebel who is always taking on society and never quite settles down personally and is always fighting.

I believe in Lana Turner’s case she picked up the image as a soap actress character on some show where she has all the money any person could have and could have any man at anytime and ends up with every man and even marrying every man. Has kids with every man she gets involved with. (At least practically) Sounds like at least two female characters on General Hospital and if you’re familiar with the show and are a fan, you probably know who I’m talking about.

Lana Turner was perfect for soap operas because she was perfect for dramatic comedy. Both in her personal life as far as how she lived both intentionally and unintentionally, but she was also a great actress and a very funny woman as well. Which made her perfect for dramatic comedy which is what most good soap operas are like General Hospital, Dallas, Melrose Place, to use as examples, Days of Our Lives. To me at least Lana Turner’s life was the story of a great soap opera. A lot of ups and downs, falls, and dramatic comebacks and she was one of the best soap actresses, as well as characters that we’ve ever had.

Alan Eichler: Good Morning America- David Hartman Interviewing Lana Turner: 1983 TV Interview

Classic Film and TV Cafe: A Fever in The Blood 1961

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Source: Classic Film and TV Cafe- Angie Dickinson & Efrem Zimbalist

Source: This piece was originally posted at The Daily Review

A Fever in The Blood is a picture of courtroom drama and political cinema, intrigue, and ambition. You have three powerful influential ambitious men who want to be the next governor of their state, which is never named in the movie. A sitting city judge, (played by Efrem Zimbalist) a district attorney, (played by Jack Kelly) and a sitting U.S. Senator. (Played by Don Ameche) And while all of this is going on you have high profile murder case involving a successful local businessman and his separated dead wife. With the husband being accused of the crime.

And you also have the adorable, gorgeous, and sexy Angie Dickinson, who has a smaller but very important character in the movie as the wife of Senator Alex Simon (played by Don Ameche) who is more interested in Judge Leland Hoffman (played by Efrem Zimbalist) and sees her husband as too power hungry and ambitious, as well as somewhat shady. I mean the cast and characters alone should get you interested in this movie. Unless you just hate courtroom dramas and fictional political films.

You have this local murder case in an unknown city with the District Attorney Dan Callahan (played by Jack Kelly) deciding to prosecute the case himself instead of assigning the case to one his top deputies. Because again Callahan wants to be governor of this mysterious state that will go nameless simply because it is never announced what state this movie takes place in. You have Judge Leland Hoffman who only gets this case assigned to him because he does his own wheeling and dealing ( I hate that expression) And Senator Alex Simon who is probably the favorite going into to win his unknown party’s nomination for governor, but knows this murder case could be the boost that his top two opponents need to win the nomination. And actually ends up bribing Judge Hoffman in the Judge’s office to let the case go.

There’s a lot of backroom inside politics in this movie. That any great high profile drama has. The movie is also over two-hours but more than worth the time to watch it. Especially if you just like seeing Angie Dickinson in a great movie and she’s had several. Not a movie for people simply looking for romantic comedies and softball humor. There’s a good deal of humor in this movie, but a lot of that involves Don Ameche, as well as how Jack Kelly and Efrem Zimbalist in the courtroom. With the District Attorney accusing the Judge of ruling against him for political reasons. Great movie for political junkies such as myself but also for people who like courtroom dramas and even soap operas.

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Source: Classic Film & TV Cafe- Angie Dickinson

Classic Film and TV Cafe: A Fever in The Blood 1961- Angie Dickinson & Efrem Zimbalist

Jerry Skinner: What Happened To Jayne Mansfield?

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Source: Jerry Skinner

Source: This piece was originally posted at The Daily Review

What happened to Jayne Mansfield? Well as far as her death, she died in a car accident in June, 1967. She was a passenger and not driving and was headed to New Orleans from Biloxi, Mississippi just after midnight because Jayne had an interview that next day on a local New Orleans news show. They probably should have waited until the next morning to leave because as we know now the driver of the car was working and driving literally on no sleep.

And to make things worst they were trying to make an 87 mile trip in about an hour or so and were in a real rush. So you got a tired driver driving past midnight and in a hurry to get from Biloxi to Mississippi and you also had a lot of traffic on the road as well and two men who died in the accident in front of Jayne’s car who were real impatient.

But I believe the better question as far as what really happened to Jayne Mansfield is not so much about how she died in the end. But why was she performing in nightclubs in Biloxi, Mississippi in 1967 when she was still only 34 years old. Instead of New York or Los Angeles making movies, or doing TV shows, performing comedy, perhaps putting her own music album together. Because she had real talent to do all these things as a versatile entertainer, but wasn’t doing them by 1967.

One thing that I agree with the narrator in this video is that Jayne Mansfield wasn’t a dumb blonde. The woman had a college degree and came from a successful family in Pennsylvania and later Texas. The daughter of a layer and teacher. She could act, she had a comedic wit, and a singer’s voice. But she played the dumb sexy blonde as a career move in order to make money and bring publicity to herself.

But to go back to the fact that she was actually a good actress who could act. She played the dumb sexy blonde so well that people took her seriously as the dumb sexy blonde and didn’t see her as anything else. Both her fans and studios, movie and TV executives. She voluntarily left Hollywood in the 1960s because she was tired of playing the dumb sexy blonde and wanted serious roles as an actress. She could have stayed in Hollywood and continued to play the dumb sexy blonde and had very successful career as a comedic actress and comedian in general.

But Jayne was no longer interested in those roles. I believe she would have made a great soap actress in the 1970s and 80s even on prime time had she lived a normal life in years, because of a great comedic timing and wit and she had real dramatic affect as well. But of course we’ll never know that. I believe Saturday Night Live in the 1970s and 80s would have been a great place for her too, but we’ll never know that either. By the early and mid 1960s Jayne’s Hollywood career was basically over.

Not because Jayne was kicked out, but because she was tired of the roles that she was getting. As the comedy relief in movies and TV appearances and wanted to go further as an actress. And was left to doing b-movies and and even some pornographic film and even films of her simply traveling around the country and going to Europe simply to stay busy as an actress. Marilyn Monroe is famous for saying that it takes a smart woman to play the dumb blonde. Jayne played the dumb blonde so well that she had too many people fooled. Which is why she’s always been known as the dumb sexy blonde and not much else even though she had so much else going for her as an entertainer and person.

Jerry Skinner: What Happened To Jayne Mansfield