I’ll be the first to say, actually I would run to make sure I was the first person in line to say that A Guide For The Married Man is not a great movie. It’s also not a horrible movie, but perhaps I wouldn’t make the same effort to say that. It’s a good, funny movie with a great cast: Walter Matthau, Robert Morse, Inger Stevens, Lucile Ball, Phil Silvers, Art Carney, and someone named Jayne Mansfield. ( Perhaps you’ve heard of her as well ) Except for the bit part or cameo A Guide For The Married Man is right up Jayne’s dress, I mean ally for her. Comedy especially romantic comedy was her shtick and it would’ve been nice if she had a bigger role in this movie. Perhaps playing one of Robert Morse’s 10 girlfriends in the movie.
By 1967, Jayne Mansfield was doing most of her work and making most of her money outside of Hollywood. She literally was on the nightclub circuit and doing comedy and music all over America. Think about that for a second: one of the most popular Hollywood Goddesses from the 1950s reduced to singing and doing comedy at nightclubs by 1965 or so. She was also doing films in Britain and Europe, including in Italy. She was tired of doing comedy in Hollywood and by the early 1960s, wanted a newer role and do other things and expand her acting resume.
Which is sort of like saying that Michael Jordan or Larry Bird is tried of shooting the basketball and scoring points, so what they’re going to do instead is just rebound and play defense, pass the ball when they have it instead of leading their team in scoring and leading them to victory. Comedy for Jayne Mansfield, was like the passing game for the New England Patriots, it was her bread and butter, her go to offense and what made her famous and popular to go along with her goddess body and little girl adorable appearance. And ironic that her last trip back to Hollywood for work was to do another comedy which is what she was doing in the late 50s with movies like Will Success Spoil Rockwell Hunter and The Girl Can’t Help It.
If you want a full post or report on A Guide For The Married Man, I suggest you go somewhere else for that, because I’m really just interested in Jayne Mansfield’s role in it. She plays the comic relief in a movie that’s pretty funny to begin with but is so good at it playing the mistress of a man who is married and her wife catches them together in their bed and he and Jayne play it off like nothing is going on at all and the wife is completely imagining what she’s seeing. And the guy and Jayne just get out of bed, make the bed, get dressed while the wife is in the room and has already seen everything and Jayne leaves the room and house as if nothing had just happened. And they do it so perfectly that the wife starts actually believing that she’s imagining everything that she just saw. Great scene with Jayne just making a pretty funny movie even funnier.
“Jayne Mansfield (born Vera Jayne Palmer; April 19, 1933 — June 29, 1967) was an American actress in film, theatre, and television, a nightclub entertainer, a singer, and one of the early Playboy Playmates. More Jayne Mansfield:
She was a major Hollywood sex symbol of the 1950s and early 1960s. Mansfield was 20th Century Fox’s alternative Marilyn Monroe and came to be known as the “Working Man’s Monroe”. She was also known for her well-publicized personal life and publicity stunts.
Mansfield became a major Broadway star in 1955, a major Hollywood star in 1956, and a leading celebrity in 1957. She was one of Hollywood’s original blonde bombshells, and although many people have never seen her movies, Mansfield remains one of the most recognizable icons of 1950s celebrity culture. With the decrease of the demand for big-breasted blonde bombshells and the increase in the negative backlash against her over-publicity, she became a box-office has-been by the end of the 1960s. Her career declined first to low-budget foreign movies and major Las Vegas nightclub dates; then to television guest appearances; next to touring plays and minor Las Vegas nightclub dates; and finally ended in small nightclub dates.
While Mansfield’s film career was short-lived, she had several box office successes and won a Theatre World Award and a Golden Globe. She enjoyed success in the role of fictional actress Rita Marlowe in both the 1955–1956 Broadway version, and, in the 1957 Hollywood film version of Will Success Spoil Rock Hunter?. She showcased her comedic skills in The Girl Can’t Help It (1956), her dramatic assets in The Wayward Bus (1957), and her sizzling presence in Too Hot to Handle (1960). She also sang for studio recordings, including the album Shakespeare, Tchaikovsky & Me and the singles Suey and As the Clouds Drift by (with Jimi Hendrix). Mansfield’s notable television work included television dramas Follow the Sun (1962) and Burke’s Law (1964), game shows The Match Game (1964) and What’s My Line? (1956–1966), variety shows The Jack Benny Program (1963) and The Bob Hope Show (1957–1963), the The Ed Sullivan Show (1957) a large number of talk shows.
By the early 1960s, Mansfield’s box office popularity had declined and Hollywood studios lost interest in her. Some of the last attempts that Hollywood took to publicize her were in The George Raft Story (1961) and It Happened in Athens (1962). But, towards the end of her career, Mansfield remained a popular celebrity, continuing to attract large crowds outside the United States and in lucrative and successful nightclub acts (including The Tropicana Holiday and The House of Love in Las Vegas), and summer-theater work. Her film career continued with cheap independent films and European melodramas and comedies, with some of her later films being filmed in United Kingdom, Italy, Germany, and Greece. In the sexploitation film Promises! Promises! (1963), she became the first major American actress to have a nude starring role in a Hollywood motion picture.
Mansfield was married three times, first to her public relations professional Paul Mansfield (married 1950–1958), second to actor–bodybuilder Mickey Hargitay (married 1958–1963), and third to film director Matt Cimber (married 1964–1966). She had five children: Jayne Marie Mansfield (born 1950), Miklós Jeffrey Palmer Hargitay (born 1958), Zoltán Anthony Hargitay (born 1960), actress Mariska Magdolna Hargitay (born 1964) and Antonio “Tony” Cimber (born 1965). In 1967 Mansfield died in an automobile accident at the age of 34.”
This Is Your Life Jayne Mansfield, is a short story in years, but a fascinating story that plays more like a long, but great soap opera for a woman who comes from very humble meanings at least in the sense that wasn’t known at all until she went to Hollywood and started landing parts in movies. But then hits it big in Hollywood in the mid 1950s with roles in The Burglar, Will Success Spoil Rockwell Hunter, The Girl Can’t Help it, making it clear to Hollywood that she was a good comedian and comedic actress with great timing including musical comedy. Had Jayne stayed on that track I believe we’re talking about one of the best comedians and musical comedians of her generation at least.
But by 1960 she was moving away from Hollywood because she was tired of just doing comedy and wanted to expand her career as an actress and move into drama. The problem that she had was that Hollywood just saw her as a comedian and as a sex symbol. A woman who was obviously gorgeous with the great body, yet who was also as cute as a little girl really up until she died in 1967. And they wanted to use her to sell movies with her sex appeal and comedy. But she wanted to move to drama instead which is who she ends up in Britain in the early 1960s with the movie Too Hot To Handle. But unless you’re a huge, dedicated fan of Jayne Mansfield or have lived in Britain, you probably haven’t heard of Too Hot To Handle.
It’s Hollywood where Jayne always belonged and if it was drama she wanted to do, then it was soap operas and dramatic comedy like working with Alfred Hitchcock where she should’ve been working. Instead of trying to do serious roles in TV and films. I tweeted on Twitter ( of all places ) a few weeks ago about Jayne Mansfield with one of my followers ( but not my only follower, ha, ha ) replying to me that she was never taken seriously and wasn’t a serious actress. Which is true, but I would qualify that by saying that she wasn’t meant to be taken seriously. She wasn’t a dumb blonde, but she wasn’t cut out for serious roles.
Similar to Mary Tyler Moore, Carol Burnett, Bette Midler, and I’m sure other actresses and comedians she was a natural comedian who was born to entertain and to make people laugh. Which is what she should’ve been doing her whole career and would’ve had a great career in Hollywood as a comedian and not try to move away from that.
The Girl Can’t Help It from 1956, is a movie that Jayne Mansfield was born to be in and Jerri Jordan might be the character she was born to play. Jayne, was put on this planet to entertain, make people, to be the Halloween eye candy. And I’m not criticizing her for any of this or calling her a bimbo or anything like that. I have a lot of respect for her as an entertainer and have never seen her as a bimbo.
And there are a lot of great entertainers who’ve made their careers as comedians like Johnny Carson, David Letterman, Bob Newhart, Bette Midler, who were born to make people laugh and bring smiles to their faces and have made great careers for them. Jayne Mansfield, isn’t any of these people, but those entertainers aren’t Jayne Mansfield with her goddess little girl adorable features, with her great comedic and musical abilities.
What also made Jayne great in The Girl Can’t Help It, was not that she was basically herself, because she wasn’t in that movie. Rockwell Hunter, which came out in 1957 where Jayne plays Hollywood actress Rita Marlowe is where Jayne basically plays herself in that movie. The Girl Can’t Help It, she plays the girlfriend of a Hollywood mogul who has been in a career slump and hasn’t produced a hit or really anything in a while and he sees his girlfriend Jerri Jordan ( played by Jayne ) as his next superstar and ticket back in the industry that will jumpstart his career again.
The problem is unlike in Rockwell Hunter, Jerri wants nothing to do with being a star and celebrity. The only career goal that she seems to have in this movie is to be the housewife of the man that she falls in love with. If you’re familiar with the real Jayne Mansfield, you know that always wanted to be a Hollywood starlet.
Jayne Mansfield, always saw more for herself in her career in Hollywood which is probably why it dried up because she wanted to be a great dramatic actress and consistently turned down parts in comedies including musical comedies, but came back to Hollywood in early 1960s after working in Britain to do Too Hot To Handle and had a major role as George Raft’s girlfriend in The George Raft Story, Kiss Me Stupid in 1964, and then a Guide For The Married Man in 1967, which she made right before she tragically died in 1967.
I believe Jayne could’ve had a great career as a comedic actress and just as a musical comedian as well similar to Bette Midler where she would go on stage to sing, dance, and do standup and joke around with the audience. Which is what she was doing when she was on the nightclub circuit in the last years of her life., but had a much better career with and doing more films, had she not left Hollywood in the late 1950s and early 60s and continued down that career path, but she thought she should be doing more than just comedy.
The man anchoring this show might look familiar to all you political and news junkies out there. Especially cable news junkies, because before Bill O’Reilly got his big gig The O’Reilly Factor at Fox News Channel in the mid 1990s, he was anchor of the syndicated tabloid/news magazine show Inside Edition. I remember watching him on that show in the mid 1990s after work. But enough about The O’Reilly Factor, or as I prefer to call him The O’Reilly Finger and give him my middle finger to show how I feel about him.
Jayne Mansfield died in a horrible car crash in 1967 and she wasn’t drunk or even driving the car. The two men in front that were supposed to protect her were simply too tired to work and drive that night and should have never been on that trip. Especially with other people with them and in back of the car. So that is why Inside Edition did this story about Jayne in 1992. Because even though she did make a brief impact in Hollywood in the mid 1950s, it was sort of like that talented QB who has a couple big years early in his career and perhaps even wins the Super Bowl, but gets hurt or thinks too much of himself and stops doing the work and finds himself even playing for bad teams, or completely out of the NFL. The fall ends up being as dramatic as the rise to the top floor in Hollywood. That was Jayne Mansfield’s short Hollywood adventure.
I disagree with James Bacon that Jayne wasn’t a good actress though and was only famous because of her, lets say measurements. She was a good actress, but more importantly a very good entertainer. Who was also a very good singer and comedian and had she realized that early on and just took with that instead of trying to move to doing drama and serious roles, we might be talking about one of the best comedic actresses and comedians at least of her generation. Which is how Carol Burnett and Mary Tyler Moore are remembered today. Not as great dramatic actresses, but great comedians as they should be. But Jayne got bored with comedy and tried to move away from what made her great in Hollywood.
“What happened to Jayne Mansfield.” Originally from Jerry Skinner, which was about Jayne Mansfield’s last days before she died in that horrible car crash.
What happened to Jayne Mansfield? Well as far as her death, she died in a car accident in June, 1967. She was a passenger and not driving and was headed to New Orleans from Biloxi, Mississippi just after midnight because Jayne had an interview that next day on a local New Orleans news show. They probably should have waited until the next morning to leave because as we know now the driver of the car was working and driving literally on no sleep.
And to make things worst they were trying to make an 87 mile trip in about an hour or so and were in a real rush. So you got a tired driver driving past midnight and in a hurry to get from Biloxi to Mississippi and you also had a lot of traffic on the road as well and two men who died in the accident in front of Jayne’s car who were real impatient.
But I believe the better question as far as what really happened to Jayne Mansfield is not so much about how she died in the end. But why was she performing in nightclubs in Biloxi, Mississippi in 1967 when she was still only 34 years old. Instead of New York or Los Angeles making movies, or doing TV shows, performing comedy, perhaps putting her own music album together. Because she had real talent to do all these things as a versatile entertainer, but wasn’t doing them by 1967.
One thing that I agree with the narrator in this video is that Jayne Mansfield wasn’t a dumb blonde. The woman had a college degree and came from a successful family in Pennsylvania and later Texas. The daughter of a layer and teacher. She could act, she had a comedic wit, and a singer’s voice. But she played the dumb sexy blonde as a career move in order to make money and bring publicity to herself.
But to go back to the fact that she was actually a good actress who could act. She played the dumb sexy blonde so well that people took her seriously as the dumb sexy blonde and didn’t see her as anything else. Both her fans and studios, movie and TV executives. She voluntarily left Hollywood in the 1960s because she was tired of playing the dumb sexy blonde and wanted serious roles as an actress. She could have stayed in Hollywood and continued to play the dumb sexy blonde and had very successful career as a comedic actress and comedian in general.
But Jayne was no longer interested in those roles. I believe she would have made a great soap actress in the 1970s and 80s even on prime time had she lived a normal life in years, because of a great comedic timing and wit and she had real dramatic affect as well. But of course we’ll never know that. I believe Saturday Night Live in the 1970s and 80s would have been a great place for her too, but we’ll never know that either. By the early and mid 1960s Jayne’s Hollywood career was basically over.
Not because Jayne was kicked out, but because she was tired of the roles that she was getting. As the comedy relief in movies and TV appearances and wanted to go further as an actress. And was left to doing b-movies and and even some pornographic film and even films of her simply traveling around the country and going to Europe simply to stay busy as an actress. Marilyn Monroe is famous for saying that it takes a smart woman to play the dumb blonde. Jayne played the dumb blonde so well that she had too many people fooled. Which is why she’s always been known as the dumb sexy blonde and not much else even though she had so much else going for her as an entertainer and person.
I guess in one way Jayne Mansfield was a great actress and not just a great comedic actress and comedian, but a real great actress at least in the sense that she had so many people fooled. She wanted to be seen as the dumb blonde who needed her hot adorable sexy image to pay her bills. But in actuality she always knew what she was doing. An intelligent woman who wanted to be viewed as a bimbo and was such a great actress that she pulled that off. She had people thinking she was exactly as she came off which was as a bimbo.
Marilyn Monroe had the famous quote that it takes a smart woman to play the dumb blonde. Well that was Jayne Mansfield, the smart woman who played the dumb blonde. She knew what Hollywood was and how she could be successful in it and played her talents to the hilt. A hot adorable woman with a great body, but who also had a great sense of humor and comedic timing, who was also an accomplished singer. But knew exactly what people in Hollywood and what the fans noticed first and what they wanted.
Which was to see hot this adorable woman with the great curve appeal and then you add to that which was she was a great entertainer. Someone who should exchange wisecracks with funny people like Tom Ewell, Edmond O’Brien, Merv Griffin, Jack Benny, Cary Grant, and many others. She was better than Marilyn Monroe at least in this sense that Jayne knew she was really good and had made it and deserved what she accomplished. Unlike Marilyn who was battling mental illness and depression and was heavily medicated for a lot of her adult life and had even attempted suicide and been committed at one point.
Jayne had a plan from day one and knew what she needed to do to make it in Hollywood. But unfortunately Jayne Mansfield falls in the class of what could’ve happened if only and ends up dying at 34 in 1967 because of a car crash where she wasn’t even driving because her and her crew were in a big hurry to meet a big appointment that they had in New Orleans the next morning.
By the time Jayne died in 1967 she was woking the nightclub circuit as a singer because her Hollywood career at burned out because the major studios no longer wanted to work with her. Jayne mentally in many ways was just as adorable as she was physically. She came off a little girl both physically and personally. And was fairly immature and developed bad habits like drinking heavily and not able to take criticism very well and work to expand her image so she could get better and bigger parts. Which is why she fell out of Hollywood and down to the nightclub circuit just to pay the bills and keep working.
At risk of sounding old here, when I was growing up in the 1980s and even when I was in high school in the early 1990s. network original movies that were made and produced by the networks, were actually worth watching. CBS, NBC, and ABC, all had their own movie companies that were part of their entertainment divisions and had one night a week and sometimes multiple nights if they were showing a mini-series where they should show two-hour movie and sometimes longer than that. The networks would produce their own movies and of course would show movies that were from Hollywood and perhaps had been out for a year or so, or longer.
Very similar to what HBO, Showtime and others do on cable. Probably watched 5-6 of James Bond series of movies in the summer of 1992 alone on ABC. The networks did this because they were good at it and knew what movies to pick and how to promote them and what kind of cast they could put together and so-forth. But also because cable wasn’t as dominant in the 1980s as it became in the 1990s. CBS, NBC, and ABC, were worried about each other. And not so much what HBO, Showtime, Cinemax, TNT, USA, etc, were doing on cable. Because the cable networks simply didn’t have the resources that the broadcast networks had back then. And to certain extent today as well, but cable networks are much powerful and influential today than they were back then.
I only mention all of this because I’m trying to bore you into a coma. Especially if you weren’t even born yet in the 1980s. Actually, because the Jayne Mansfield Story was a TV network movie that CBS put together with the producers, directors, creators, and writers of the movie. And The Jayne Mansfield Story and I’m only 4 years old when it came out in October, 1980 so I didn’t see it and only finally heard about it a year or so ago and saw a video for it on YouTube and the finally got to see the whole movie on cable (of course) on Get-TV last February and saw it again a few months after that.
And this was a network movie where you have Loni Anderson as the lead actress playing Jayne Mansfield and Arnold Schwarzenegger playing her husband and long time lover Mickey Hargitay. (The father of Mariska Hargitay) Loni was already a star at this point with her guest appearances on Threes Company in the late 1970s playing Jack Tripper’s love interest. And then she lands WKRP in Cincinnati in 1978. (One of the best sitcoms of all-time) Arnold wasn’t a star as an actor yet, but he was a superstar professional bodybuilder and already well-known at this point. Mickey Hargitay ws a superstar bodybuilder before become an actor as well.
This is a very good and funny movie and a lot of that has to do with Loni Anderson. Who has great comedic ability and one of the top comedic actresses of her generation at least. And she happens to playing a very funny woman in Jayne Mansfield who was very funny in real-life both intentionally and unintentionally, because she was so adorable and very immature and then add her comedic timing and you had a very funny woman who might still be working today had it not had been for her tragic car accident in 1967.
The movie covers Jayne’s life from when she became star in the early 1950s looking for work and basically forcing herself on her future agent Bob Garrett (played by Ray Buktenica) and he tells her if he’s going to represent Jayne that she’s going to have to change her hair and a few other things. But sees potential in her as a comedian. And the movie goes from Jayne being discovered in the early 1950s where Hollywood wasn’t ready for her alway up to her fall and struggling to find work in the early and mid 1960s, to her tragic death in 1967.
Loni Anderson is just plain hot, sexy, adorable and funny as Jayne Mansfield. She’s as cute as a little girl with personality to match, but with body of a goddess with those legs, curves, chest and everything else, as well as the face. Arnold playing Jayne’s wife is also great as a very loving and caring husband of Jayne who tries to look out for her best interests and tries to manage her immatureness and irresponsible behavior, but fails at both and they split up in the movie.
I believe Jayne Mansfield in real-life would have been proud for how Loni played her and at least give her credit for doing such a great and accurate job. Because I think knew herself real well and didn’t try to be anyone other than herself even if she seemed overly adorable and even childish to even the people who loved and cared about her like Mickey Hargitay and her business people. This is a very entertaining movie that covers the struggles as Jayne making it as a great comedic actress, but someone who also wanted to be taken seriously in Hollywood and get serious parts with more meaning.